In 1948, after the assassination of Mahatma Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight created the song "Suno Suno Ae Duniyawalon, Bapuji Ki Amar Kahani". He sang with Durrani in some of the songs such as "Humko Hanste Dekh Zamana Jalta Hai" and "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" ( Beqasoor, 1950). In the early phase of his career, he often followed Durrani's style of singing, but later evolved his own, unique style. Saigal, whom he considered his favorite, Rafi was also influenced by G. In 1949, Rafi was given solo songs by music directors such as Naushad ( Chandni Raat, Dillagi and Dulari), Shyam Sunder ( Bazaar) and Husnalal Bhagatram ( Meena Bazaar).īesides K. Noor Jehan migrated to Pakistan and made a pair with playback singer Ahmed Rushdi. After partition, Rafi decided to stay back in India and had the rest of his family flown to Bombay. Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's Anmol Ghadi (1946) and a duet with Noor Jehan in the 1947 film Jugnu, "Yahan Badla Wafa Ka".
He sang a number of songs for Naushad as part of the chorus, including "Mere Sapnon Ki Rani, Roohi Roohi" with K. L. Saigal, from the film Shahjahan (1946). He appeared on the screen for the songs "Tera Jalwa Jis Ne Dekha" in film Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in the Film Jugnu (1947).
He considered this song to be his first Hindi language song. Around the same time, Rafi recorded another song for the 1945 film Gaon Ki Gori, "Aji Dil Ho Kaaboo Mein". Rafi's first song with Naushad was "Hindustan Ke Hum Hain" with Shyam Kumar, Alauddin and others, from A. Shyam Sunder was in Bombay and provided the opportunity to Rafi to sing a duet with G. M. Durrani, "Aji dil ho kaabu mein to dildar ki aisi taisi.," for Gaon Ki Gori, which became Rafi's first recorded song in a Hindi film. Poet Tanvir Naqvi introduced him to film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer. He and Hameed Sahab rented a ten-by-ten-feet room in the crowded downtown Bhendi Bazar area. Rafi moved to Bombay (now Mumbai), Maharashtra in 1944. He made his Hindi film debut in Gaon Ki Gori in 1945. In that same year, Rafi was invited by All India Radio Lahore station to sing for them. In 1941, Rafi made his debut in Lahore as a playback singer in the duet "Soniye Nee, Heeriye Nee" with Zeenat Begum in the Punjabi film Gul Baloch (released in 1944) under music director Shyam Sunder. His first public performance came at the age of 13, when he sang in Lahore featuring K. L. Saigal. Rafi learnt classical music from Ustad Abdul Wahid Khan, Pandit Jiwan Lal Mattoo and Firoze Nizami. Rafi's father moved to Lahore in 1935, where he ran a men's barbershop in Noor Mohalla in Bhati Gate. Rafi, whose nickname was Pheeko, began singing by imitating the chants of a fakir who roamed the streets of his native village Kotla Sultan Singh. The family originally belonged to Kotla Sultan Singh, a village near present-day Majitha in Amritsar district of Punjab, India.
Mohammed Rafi was the second eldest of six brothers born to Haji Ali Mohammad. Apart from Indian languages, he also sang in some foreign languages, including English, Farsi, Arabic, Sinhala, Mauritian Creole and Dutch. He recorded as many as 7,000 songs throughout his career, spanning several languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sindhi, Kannada, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. He recorded songs for over a thousand Hindi films and in many Indian languages as well as some foreign languages, though primarily in Urdu and Punjabi, over which he had a strong command. In 2013, Rafi was voted for the Greatest Voice in Hindi Cinema in the CNN-IBN's poll. In 2001, Rafi was honoured with the "Best Singer of the Millennium" title by Hero Honda and Stardust magazine. In 1967, he was honored with the Padma Shri award by the Government of India. He received four Filmfare Awards and one National Film Award.
He was known for his ability to mould his voice to the persona and style of the actor lip-syncing the song on screen in the movie. Rafi was notable for his versatility and range of voice his songs varied from fast peppy numbers to patriotic songs, sad numbers to highly romantic songs, qawwalis to ghazals and bhajans to classical songs. He is considered one of the greatest and most influential singers of the Indian subcontinent. Mohammed Rafi (24 December 1924 – 31 July 1980) was an Indian film playback singer.
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